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	Search results for Artist:    Refine your search Creator 4 () 3 () 2 () 2 () 2 () 1 () 1 () 1 () 1 () 1 () results 21-40 of 75 item(s)  page 2 of 4 : ( <<  1  2  3  4  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 21. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. 22. [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle. 23. [Bookplate for Claude Lamont Wheeler by C. Collmen] Printed in black on white or cream paper. In the upper left corner of the bookplate appear the words 'NULLA DIES SINE / LINEA' followed by four upward pointing arrows or crosses. To the right in the upper center of the bookplate appears a framed portrait of a horned figure (the devil?). The center of the bookplate shows the caricatured figure of a man sitting at a roll top desk. His tall wooden chair leaves his feet dangling above the ground. The man holds a lit cigar in his left hand and quill pen in his right hand. The desk, the wastepaper basket to the right of it, and the floor around it are littered with sheets of paper. Several books, as well as an owl and a human skull sit on the top of the desk. To the left, an over-sized pair of scissors leans against the man's chair. To the right of the desk appears the name of the illustrator, C. Collmen(?). Below the illustration appears a white bordered box with the words 'Ex Libris,' below which appears the name of the owner. 24. [Bookplate for W. E. Gale by George Kuthan] Printed in black and red ink on blue paper. The image includes a border in black ink surrounding the image of a ship in red ink and text in black ink. What appears to be a small letter 'K' in red ink is to the right of the ship. 25. [Bookplate for Charles N. Hood, Mary K. Hood, and Dorothy Hood by A. H. N.] Pictorial bookplate. Within an elaborate floral border is a square divided into both text and an image of a fireplace and bookshelf. At the bottom of the frame is face, below which is the artist's initials and date. 26. [Bookplate for Frank Louis Flight] In light gray ink. A banner with the name of the owner and a small, circular, profile portrait are displayed on a background of vines. The stylized flora seems inspired by the late Nineteenth-century work of William Morris and others. 27. [Bookplate for Barbara Joyce Chandler] In dark blue ink on light blue paper. Primary bookplate design consists of a ship crested upon waves, with three figures within. The figures are young girls, two reading books and the other holding a book. Beneath the waves is bookplate text, with small illustrations of a castle, knight and fish. 28. [Bookplate for Godfrey G. Roundell Greene by W. and A. Mussett - The Heraldic Studio] In brown ink, escutcheon divided quarterly. The first and fourth quadrants divided per pale, or (gold) and azure (blue), three stags trippant, two over one, all counter changed. The second and third quadrants, or, with a fess, gules (red) between three olive branches, two over one. Atop the escutcheon is a helmet with mantling, below a demi-dragon crest, azure, gorged, argent (silver). 29. [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools. 30. [Bookplate for Royal College of Dental Surgeons of Ontario] In black ink. This bookplate consists of an academic escutcheon in the heraldic-style. The escutcheon is parted per fess, indented, in chief gules (red), charged with two open books with initialled text. These charges mimic the two books found on the University of Toronto's crest. On the fess, argent (silver), appears a maple bough with three leaves. Though situated differently, this symbol may be drawn from the maple bough with three leaves which appears on the coat of arms of the province of Ontario. The base, azure (blue), is charged with a lamp of knowledge. Above the escutcheon is a crown, which resembles that of George IV, also found on the coat of arms of the University. The crown was included in the University crest to indicate the provision of the institution's royal charter by George IV in 1827. Surrounding the escutcheon is a banner containing the name of the university faculty which issued the bookplate. The illustration identifies itself as an "Ex Libris" and below, cites the originating library. The text and illustration are surrounded by a rectangular frame ornamented with garlands. 31. [Bookplate for George H. Fensom by Thoreau MacDonald] In black ink. Landscape featuring a cabin overlooking a lake. 32. [Bookplate by Francis Adams Sc.] In black ink. Escutcheon parted per cross. First quarter, or, a lion, gules, rampant. Second quarter, argent, an arm embowed fessways holding an axe shaped like a cross formy. Third quarter, argent, a lymphad, sails furled, on water. Fourth quarter, argent, a fish on water. Shield supporters, two horse-like beasts with short tails, combatant. Helm, a diadem topped with a lion, couped. Below the escutcheon is a banner with mantling containing the Latin motto. 33. [Bookplate for Caleb Whitehorn by William Henshaw] In black ink. Decorative escutcheon parted per chevron, fleury-counterfleury, argent (silver) and sable (black), one escallop. Above chevron, argent, with two towers, sable. Above the escutcheon is a straight crest wreath topped with five spears, entwined. Escutcheon surrounded with flowered mantling. 34. [Bookplate for D. Benzie by Stanley Harrod] In black ink. Decorative border surrounding an etched picture of a man standing on a cliff with his hand on a piece of equipment holding a bag overlooking water, a city skyline, and mountains hiding the sun. Below the picture is a box with the text. 35. [Bookplate for Harry M. Allice] In black ink. A picture of "The Thinker," a bronze and marble sculpture by the French artist Auguste Rodin, outlined in white and shadowed. "EX LIBRIS" above, the quote beside, and the name boxed below the sculpture. 36. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. 37. [Bookplate for James Maitland Hunt] In black ink, this bookplate contains an escutcheon, argent (silver), charged with two dogs courant, and a chief, argent, with fox cabossed, between two hunting horns. Above, a helmet with mantling, and a crest of a lion's head erased, gorged. All set within a floral architectural border. 38. [Bookplate for Rainald Knightley] In black ink, this bookplate consists of an escutcheon, quartered. The first and fourth quadrants are ermine (white powdered fur with black tufts), and the second and third quadrants are paly, or (gold) and gules (red). At the precise middle chief is an inescutcheon, argent (silver), containing a sinister hand, gules. The gules hand, known as the hand of Ulster, symbolizes the hounour of a baronet. The crest is composed of a tilted dexter helmet, a curved wreath, and a stag head, dexter and couped. The escutcheon is supported by an eagle or falcon on each side. The escutcheon and its supporters are framed by a border with flowers. The entire image, including text, is placed within a larger circular border, azure (blue). 39. [Bookplate for E. Rolfe by R. B. Hughes] In black ink, this bookplate consists of an escutcheon, gyronny of eight pieces, or (gold) and argent (silver) and a chief, or. The chief is charged with three annulets. At the centre of the escutcheon is an inescutcheon, divided quarterly. The first quadrant is divided per pale, vert (green) and gules (red), and is charged with a fleur-de-lis. The second quadrant is divided per fess, dancetty, sable (black) and ermine (powdered white fur with black tufts) ; the upper sable half is charged with two escallopes on either side of a baron's coronet. The third quadrant, or, contains a fess checky, argent and azure (blue). The fourth quadrant, sable, is charged with a crescent. Above the escutcheon is a curved crest wreath and a garbe. 40. [Bookplate for Charles Manby by Suffield] In black ink, this bookplate consists of an escutcheon divided per pale, with a stylized bordure. The dexter quadrant, gules (red), is charged with a lion rampant and a chief, argent (silver), with three martlets. The sinister quadrant, gules, is charged with four etoiles, two over two, and contains a canton, coloured ermine (white powdered fur with black tufts), in the dexter chief of the quadrant, covering two-thirds of the etoile in that location. The canton represents the banner of the ancient Knights Banneret, which is an honourable order which has become extinct. It was on order conferred upon persons, recognized by a king or general, that had perfomed some heroic act on the battlefield. The escutcheon is crested by a straight wreath and a lion passant guardant, holding what appears to be a millrind, sable (black) in its dexter paw. The millrind is placed in the centre of a grindstone to protect the hole in the centre from the action of the axis ; it is a charge frequently used by persons connected with agriculture. Below the escutcheon is a banner containing the Latin motto. select all : clear all : add to favorites results 21-40 of 75 item(s)  page 2 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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